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John Thomas Ibbotson Tiller (13 June 1854 in Blackburn, Lancashire – 22 October 1925 in New York) was a musical theatre director who was credited with inventing precision dance and was the originator of the 'Tiller Girls'. ==Biography== John Tiller always had a keen interest in music. He was always a perfectionist to the point where very few people could live up to his standards. At ten years old he became a choirboy, and with his perfectionist qualities, he became choirmaster by fourteen. His obsession with neatness and cleanliness was to earn him the excellence for which he was later to be renowned. He took music lessons with a tutor named Dr Hiles, who later went on to be Professor of Harmony and composition at the Royal Northern College of Music. One of John's uncles, John George Tiller, owned a successful cotton agency (one of the largest in Manchester) and was very wealthy. With a huge house and servants, John made up his mind that he wanted the same life style. He got on very well with his uncle who took him into the family business and treated him like a son. During the day John worked in the cotton trade and after work he devoted himself to music and acting. He had a very forceful character and soon progressed to management in the cotton industry, and was well known in the local area due to his immense appetite for life. At 19 one of his girlfriends (Mary Carr) told him she was pregnant and he married young, having 10 children in 11 years. By this time John was a full partner in the cotton business and he was living in a large house like his uncle. He also pursued his theatrical ambitions and became stage manager of an amateur theatrical group made up of local business people who would perform a Minstrels act in Manchester theatres. On Christmas Eve 1873, he married Mary Elizabeth Carr at St John's Parish Church in Manchester. In 1885 John became director of the Comedy Theatre Manchester and during the same year he began teaching children to dance. His early pupils practised for hours every Saturday afternoon amongst the bales of cotton in one of the firm's warehouses. He also taught at his home to the disapproval of his wife. His first dance performances were at small local church dances, and due to his position as director of the Comedy Theatre Manchester he was able to arrange his small dancers a place in the theatre's Christmas pantomime (his first real Performance although not credited at the time). At this time everything went wrong for him in his uncle's business. His uncle's son who was now old enough to work was brought into the family business. His uncle also took to drink and became an alcoholic. John had a huge argument with his uncle that ended in a violent quarrel; John stormed out and set up his own business, never speaking with his uncle again. John Tiller carried on presenting dancers in an amateur capacity. With this taking up more and more of his time, it made it hard for him to concentrate on making a living in the cotton industry. By this time his real interest was with the theatre and dance and he was getting bored with his chosen career. In 1890 John was asked to present a quartet of children for the pantomime Robinson Crusoe at the Prince of Wales Theatre, Liverpool. He chose four of his best Manchester pupils, all aged about 10 years: Dolly Grey, Tessie Lomax, and twins Cissy and Lilly Smith. They were chosen as they were all the same height and had the same very slender shape with dark hair. He worked with them relentlessly repeating every movement time and time again until they were perfect. He worked them so hard that at times they were so exhausted they had to be carried home by their parents- their feet too blistered to walk. John was striving for absolute precision in dance. These were the first of thousands of Tiller Girls where every movement had to be perfect and every turn had to be simultaneous. The routine was not the high-kicking dance that they were later to be remembered for. He rehearsed them in a burlesque routine and a “Coconut dance” popular at the time. The pantomime lasted for three months with every show generating glowing reports in the newspapers and receiving awards for the girls and their manager. The fee received for this only barely covered expenses and costs. This first experience helped John make up his mind to become a professional manager. John’s wife Mary died of cancer in 1905 and he remarried to Jennie Walker in 1906. Jennie went on to be very involved in the running of the Tiller Schools until her death in February 1936. High Kicks By the late 19th century Johns troupes were dancing in ballet and pantomime performances all over the world. At this time John was very excited by his conception of the Mystic Hussars routine where the girls dressed as cavaliers when performing their dance routine. He went on to conceive a simple notion, as the girls were kicking; he had them link their arms around each other's waists. The proximity helped the girls work well together and at last he was able to achieve absolute precision in dance. His dream had come true. There is speculation in the family as to whether he adopted the kicking and headdress after watching the Lipizzaner Stallions on one of his many trips abroad. It was this idea that was to really make his name in dance for posterity. He went on to perfect a high kicking dance for “Les Folies-Bergère”, Paris, using eight girls, called the Pony Trot that would be the start of all modern kick routines and the routine that every Tiller Girl had to learn as their first dance. The American Connection John first sent a troupe of girls to America in 1900. George Lederer booked them to perform their original Pony Trot. Later at the height of their popularity in New York there were three Tiller lines working on Broadway; The Lollipops and The Sunshine Girls at the Globe Theatre, and 24 Tiller Girls in the Ziegfeld Follies. Charles Dillingham and George White had visited The Palace Theatre in London and booked the girls to appear in “Good Morning Dearie” at George White's Scandals of 1923 and The Nifties of 1923. Floorenz Ziegfeld took 48 of the girls under contract for three years for his follies. John Tiller opened a dance school at 226 West 72nd Street with offices and a training studio run by Mary Read; a Head Tiller Girl from England who had been one of the 1916 Sunshine Girls in America, She trained American pupils as well as the girls from the United Kingdom. She was a hard taskmaster, but a good business woman who had John Tiller's full support in everything she did. The girls always called her Miss Read. In the 1920s, John Tiller was regularly crossing the world to finalise contracts. He always made sure his trip ended up in New York so he could meet Mary. John Tiller died on 22 October 1925 in Lenox Hill Hospital, New York. After John Tiller died in 1925 Mary Read continued with the Tiller Girls in America, signing a very profitable contract with RKO studios with many of the girls working in American made films and dancing all over the USA. Many of the girls married and settled in America, most of them dancing and choreographing in American shows. Mary closed the American Tiller School in 1935 and married Donald Leman Clark, PhD, a professor of rhetoric at Columbia University in New York. (source: Boltz family archives) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「John Tiller」の詳細全文を読む スポンサード リンク
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